Divine Love

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An old Chaldean Legend

Long, long ago, in the dry land which is now Arabia, a divine being incarnated upon earth to awaken in it the supreme love. As expected it was persecuted by men, misunderstood, suspected, pursued. Mortally wounded by its assilants, it wanted to die quietly in solitude in order to be able to accomplish its work, and being pursued, it ran away. Suddenly, in the vast desert land there appeared a small pomegranate bush. The saviour crept in under the low branches, to leave its body in peace; and immediately the bush spread out miraculously, it grew higher, larger, became deep and thick, so that when the pursuers passed by, they did not even suspect that the One whom they were chasing was hidden there, and they went their way.
While drop by drop the sacred blood fell, fertilising the soil, the bush was covered with marvellous flowers, scarlet, large, crowded with petals... innumerable drops of blood.
These are the flowers which express and contain for us the Divine's Love.

***

Sweet Mother, has that Chaldean legend which you have written any relation with Kali Puja?

Yes, my child, because on Kali Puja day I always distribute the flowers of "Divine's Love"; for Kali is the most loving of all the aspects of the Mahashakti; here is the most active and most powerful Love. And that is why every year I distribute the petals of "Divine's Love" on Kali's Day. And so naturally this explanation of why these flowers were chosen to express the Divine's Love - it is a sufficient explanation.

MOTHER

The Awakeing Of Matter

July 28, 1961

Here is something important. Sri Aurobindo says that everything is involved down here - the mind, the vital, the supermind - and that what is involved evolves. But if everything is involved, including the supermind, what is the need for a 'descent'? Can't things evolve by themselves?

Ah! He has explained this somewhere.

But I don't remember seeing anything that satisfied me.

Isn't it in the Essays on the Gita ? He explains what Krishna says and how the two [descent and evolution] are combined. I read it not long ago because I was interested in this very question. And I even said something myself about the difference between what evolves (what emerges from this involution) and the Response from what already exists above in all its glory.

We'll have to find this passage.

There are two lines in the ancient traditions, two ways of explaining this. One says it is by the 'descent' of what already exists in all its perfection that what is involved can be awakened to consciousness and evolution. It's like the old story: when what Sri Aurobindo calls the universal Mother or the Shakti (or Sachchidananda [[Sachchidananda is the Supreme Consciousness in its triple aspect of Existence (Sat), Consciousness (Chit) and Bliss (Ananda). ]] ) realized what had happened in Matter (that is, in what had created Matter) and that this involution had led to a state of Inconscience, total unconsciousness, the ancient lore says that at once the divine Love descended straight from the Lord into Matter and began to awaken what was involved there. [277]

Other traditions speak of the Consciousness, the divine Consciousness, instead of Love. One even finds accounts full of imagery depicting a Being of prismatic light lying in deep sleep in the cave of the Inconscient; and this Descent awakens him to an activity which is still (how to put it?) inner, an immobile activity, an activity by radiation. Countless rays issue from his body and spread throughout the Inconscient, and little by little they awaken in each thing, in each atom, as it were, the aspiration to Consciousness and the beginning of evolution.

I have had this experience.

I have had the experience of being 'missioned,' so to speak, in a form of Love and Consciousness combined - divine Love in its supreme purity, divine Consciousness in its supreme purity - and emanated DIRECTLY, without passing through all the intermediate states, directly into the nethermost depths of the Inconscient. And there I had the impression of being, or rather of finding a symbolic Being in deep sleep ... so veiled that he was almost invisible. Then, at my contact, the veil seemed to be rent and, without his awakening, there was a sort of radiation spreading out.... I can still see my vision. [[See the addendum following this conversation for a transcription of Mother's vision as she noted it down for publication in Theon's Cosmic Review in 1906. ]]

(silence)

There is always what could almost be called a popular way of presenting things. Take the whole Story of the Creation, of how things have come about: it can be told as an unfolding story (this is what Theon did in a book he called The Tradition - he told the whole story in the Biblical manner, with psychological knowledge hidden in symbols and forms). There is a psychological manner of telling things and a metaphysical manner. The metaphysical, for me, is almost incomprehensible; it's uninteresting (or interesting only to minds that are made that way). An almost childish, illustrative way of telling things seems more evocative to me than any metaphysical theory (but this is a personal opinion - and of no great moment!). The psychological approach is more dynamic for transformation, and Sri Aurobindo usually adopted it. He doesn't tell us stories (I was the one who told him stories! Images are very evocative for me). [278] But if one combines the two approaches.... Actually, to be philosophical, one would have to combine the three. But I have always found the metaphysical approach ineffective; it doesn't lead to realization but only gives people the IDEA that they know, when they really know nothing at all. From the standpoint of push, of a dynamic urge towards transformation, the psychological approach is obviously the most powerful. But the other [the symbolic approach] is lovelier!

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Andal

Vishnucitta discovering Andal. Scultpure above the tulasi garden in Srivilliputtur

Andal
THE VAISHNAVA POETESS

PREOCCUPIED from the earliest times with divine knowledge and religious aspiration the Indian mind has turned all forms of human life and emotion and all the phenomena of the universe into symbols and means by which the embodied soul may strive after and grasp the Supreme. Indian devotion has especially seized upon the most intimate human relations and made them stepping-stones to the supra-human. God the Guru, God the Master, God the Friend, God the Mother, God the Child, God the Self, each of these experiences - for to us these are more than merely ideas, - it has carried to its extreme possibilities. But none of them has it pursued, embraced, sung with a more exultant passion of intimate realisation than the yearning for God the Lover, God the Beloved. It would seem as if this passionate human symbol were the natural culminating- point for the mounting flame of the soul's devotion: for it is found wherever that devotion has entered into the most secret shrine of the inner temple. We meet it in Islamic poetry; certain experiences of the Christian mystics repeat the forms and images with which we are familiar in the East, but usually with a certain timorousness foreign to the Eastern temperament. For the devotee who has once had this intense experience it is that which admits to the most profound and hidden mystery of the universe; for him the heart has the key of the last secret. The work of a great Bengali poet has recently reintroduced this idea to the European mind, which has so much lost the memory of its old religious traditions as to welcome and wonder at it as a novel form of mystic self-expression. On the contrary it is ancient enough, like all things natural and eternal in the human soul. In Bengal a whole period of national poetry has been dominated by this single strain and it has inspired a religion and a philosophy. And in the Vaishnavism of the far South, in the songs of the Tamil Alwars we find it again in another form,
Page - 371
giving a powerful and original turn to the images of our old classic poetry; for there it has been sung out by the rapt heart of a woman to the Heart of the Universe. The Tamil word, Alwar, means one who has drowned, lost himself in the sea of the divine being. Among these canonised saints of Southern Vaishnavism ranks Vishnuchitta, Yogin and poet, of Villipattan in the land of the Pandyas. He is termed Perialwar, The Great Alwar. A tradition, which we need not believe, places him in the ninety-eighth year of the Kaliyuga. But these divine singers are ancient enough, since they precede the great saint and philosopher Ramanuja whose personality and teaching were the last flower of the long-growing Vaishnava tradition. Since his time Southern Vaishnavism has been a fixed creed and a system rather than a creator of new spiritual greatnesses. The poetess Andal was the foster-daughter of Vishnuchitta, found by him, it is said, a new-born child under the sacred Tulsi-plant. We know little of Andal except what we can gather from a few legends, some of them richly beautiful and symbolic. Most of Vishnuchitta's poems have the infancy and boyhood of Krishna for their subject. Andal, brought up in that atmosphere, cast into the mould of her life what her foster-father had sung in inspired hymns. Her own poetry - we may suppose that she passed early into the Light towards which she yearned, for it is small in bulk, - is entirely occupied with her passion for the divine Being. It is said that she went through a symbolic marriage with Sri Ranganatha, Vishnu in his temple at Srirangam, and disappeared into the image of her Lord. This tradition probably conceals some actual fact, for Andal's marriage with the Lord is still celebrated annually with considerable pomp and ceremony.
Page - 372..source:works of sri aurobindo/the hour of GOD volume17

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